Yesterday1)I started to write this on Christie’s birthday, but this behemoth could not be completed in one day. was Agatha Christie’s 124th birthday, so it seems appropriate to carry on with Wilkie Collins and Sensation Novels – how they developed into what we recognise as detective fiction.
So polish your magnifying glass, button up your Ulster, wax your moustache, and we shall travel back to Road, Somerset in 1860, to the scene of a real crime.
(Needless to say, this contains multiple spoilers).
If you’ve ever read The Woman in White, then you’ll know that all the mystery and obfuscation, the swapping of people drugged on laudanum and signing of parchment documents, revolves about Sir Percival Glyde’s attempt to marry a wealthy woman to cover his debts, and to hide his illegitimacy. Had his mother not been married to another man, preventing his parents’ marriage, had divorce been easier to obtain, then there would have been no need for him to go to the great lengths he does to hide his secret, and neither would he die horribly in a conflagration in a church vestry. But without being a lawful (ie. legitimate) heir, and as his father did not leave a will, Sir Percival Glyde is a fraud. He could not have inherited his title and property from his father by default.
Far back in the past, before Marian Halcombe and Laura Fairlie decide it would be amazing to have an art tutor (especially a handsome one…), Percival manipulated Mrs. Catherick to help him gain access to the church vestry. And why would he want to do this? Because he wanted to fraudulently edit the marriage register. Continue reading →